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RED EPIC-W HELIUM 8K S35

EPIC-W carries on the legacy of the original EPIC, which became the industry workhorse upon its release in 2010. Powered by the HELIUM 8K® S35 sensor, recipient of the highest DxOMark score ever, RED EPIC-W® is capable of shooting 8K Full Format at up to 30 frames per second (fps).

 

At full 8K resolution EPIC-W captures 35.4 Megapixels images—delivering more detail and creative possibilities in every frame. With HELIUM sensor advancements, RED EPIC-W boasts improved low-light sensitivity and impressive dynamic range. Leveraging lightning fast data rates up to 275 MB/s, EPIC-W can record REDCODE® RAW, as well as proxy 4K Apple ProRes or Avid DNxHR—simultaneously

SENSOR TYPE

HELIUM 35.4 Megapixel CMOS

 

EFFECTIVE PIXELS

8192 × 4320

 

SENSOR SIZE         

29.90 mm x 15.77 mm (Diagonal: 33.80 mm)

 

DYNAMIC RANGE  

16.5+ stops

CONSTRUCTION    

Magnesium and Aluminum Alloy

 

WEIGHT        

3.35 lbs (BRAIN with Integrated Media Bay)

 

OPERATING TEMPERATURE      

0°C to 40°C (32°F to 104°F)

 

STORAGE TEMPERATURE          

–20°C to 50°C (–4°F to 122°F)

MAX DATA RATES  

Up to 275 MB/s using RED MINI-MAG (480GB & 960GB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

 

MAX FRAME RATES

30 fps at 8K Full Format (8192 × 4320), 30 fps at 8K 2.4:1 (8192 × 3456)

30 fps at 7K Full Format (7168 × 3780), 40 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

 

PLAYBACK FRAME RATES

(PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions

REDCODE SETTINGS

RANGE FROM 2:1 UP TO 22:11    

6:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps

7:1 REDCODE for 8K Full Format (8192 × 4320) at 30 fps

2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps

4:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

APPLE PRORES     

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

 

AVID CODECS3      

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps


REDCODE RAW

8K Full Format (8192 × 4320),

2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 × 3780),

2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 × 3240),

2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 × 2700),

2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160),

2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620),

2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080),

2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

 

COLOR MANAGEMENT    

Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

 

AUDIO           

Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

 

REMOTE CONTROL          

Integrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

 

 

MONITOR OUTPUTS         

3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

 

MONITOR OPTIONS          

DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

 

REDCINE-X PRO DELIVERY FORMATS 

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE COMPATIBILITY

Adobe Premiere Pro, AVID Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro